It’s certainly better to hear Limp Bizkit embrace their most primal and unsavoury elements. But to their credit they do a decent job of it, only to lose you once again when the acoustic guitars come out on the plodding Empty Hole. Durst also sounds like he’s trying to do his own version of Bleach-era Nirvana on Barnacle, which, again, isn’t really what you come to Limp Bizkit for. Taking songs from world-class bands and trying to ape their craft and gravitas couldn’t be any further from their strong point. The acoustic cover of INXS’s Don’t Change falls into the same trap as Bizkit’s version of The Who’s Behind Blue Eyes. It’s only really when Durst gets a little too serious for his own good that things take a turn for the worse. The Cypress Hill-isms of Turn It Up, Bitch are perfectly adequate as well. Dad Vibes is a slightly more relaxed tune, feeling like it’s cut from the same cloth as 90s one-hit wonders like Len’s Steal My Sunshine or Brann Van 3000’s Drinking In LA, albeit in a Limp Bizkit style. Out Of Style and the following Dirty Rotten Bizkit are both massive rock songs that will fit snugly in amongst Nookie and Rollin’ in the Bizkit live set. There's plenty on Still Sucks to placate anyone who just wants to nod their head and idly goof along with them. From the opening Out Of Style, where Durst describes his style as ‘fresh’ over the most clichéd of scratches from DJ Lethal, and a great Borland riff, you’ll know if you’re onboard. The success and your enjoyment of Still Sucks will definitely depend on your mindset going in.

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